11/19/2009

GIRLS & DRUMS

52770005
[photo of Krista by me, you can tell by the thumb]

As you may know, I am all about women & girls playing music. That's why I've written about Tom Tom Magazine: A Magazine for Female Drummers, and that's why I've written about lots of my girl friends who play music.

So, can you imagine how excited I am about this? Debuted this evening in Tom Tom: Angie, my current bandmate (in an of yet unnamed project, and also, Cheeky), interviews Krista, my past bandmate (in Carnal Knowledge)! And Maggie, my old roommate, current drummer of Scantron [who I just saw the other day for the first time and damn! Girl can play the dance beats!] took photos of the whole thing. Angie asks a lot of great questions, and Krista covered so much about the feminist music scene in New York, while also detailing experiences of sexism. It really gives a full picture of what it's like to be a woman playing music and all the things that come along with that.

It's a good day for women drummers, and especially, yours truly (not a drummer -- yet).

11/13/2009

CHEEKY LAST GIGS EVER - POSTER


[poster by BLACKANDREDEYE]

My good friend, fellow organizer, and creative partner Lauren Measure designed this rad poster, inspired by Annie, for Cheeky's last shows. Check out more of Lauren's stuff at Black And Red Eye! Tom, another friend of mine, ridiculous drummer of Slingshot Dakota and mastermind behind Bird Apartment Printing (myspace / facebook), will be screening these as posters to be sold at the shows.

11/09/2009

SCREAMALES BEST OF

Jarrett D., friend of Cheeky and infamous drummer of Screaming Females, pre-emptively named "What the Heck" one of the best albums of 2009. Thanks Jarrett! We love ye!

10/23/2009

REVIEW: The Girls' Guide to Rocking


Here's the review I did of Jessica Hopper's Girls' Guide to Rocking for Maximum Rocknroll (issue #318, November 2009).

[UNEDITED]

The Girls’ Guide to Rocking
Jessica Hopper
288 pages
Workman Publishing
http://www.workman.com/

The Girls’ Guide to Rocking is just that, and that’s what makes it totally radical. The first time I saw Jessica Hopper speak she read an inspiring piece about being a grunge poser in her teens, and it was the greatest thing my ears had ever heard. She ended on the note that Bikini Kill taught her to be herself and that she could do whatever she wanted -- incidentally, this meant playing music and touring and becoming one of the freshest music critics currently writing.

That being said, I could not be more psyched to hear that Hopper was writing the book that she wanted to read as her 15-year-old self, teaching the lesson that Bikini Kill taught her, that girls can, and do in fact, rock. I am twenty-four, so this book isn’t tailored for me - it is tailored for me at fifteen, who would have benefitted greatly from the wise words of a grown-up punk girl, the notion that I could do all the things I dreamt of doing.

The Girls’ Guide to Rocking is practical. Hopper covers everything from how to care for your instruments, how to get your instruments, how to form a band, how to record, how to make flyers, and how to book shows. It’s like if the Willie Mae Rock Camp for Girls was consolidated into book form. Hopper writes with enthusiasm and most importantly encouragement, you can tell she really means it. It was jolting for me to see a checklist regarding if your music teacher is right for you – “she” was the pronoun given to said music teacher. Little details like this change the language around music to be a more welcoming and empowering environment for young girls.

The 15-year-old in me is ETERNALLY GRATEFUL for Appendix A, "Essentials of Rock: For Your Listening Pleasure." This is the section where Hopper lists the essential, need-to-know bands in nearly every genre. There’s also a Girls’ Guide to Rocking timeline, marking important moments in rock history. I know the words “rock history” trigger gag reflexes in most of us, but Hopper touches on the good stuff. If you were like me and didn’t have a cool older sister or even a cool neighbor to show you the way, here is your key!

As much as this book is meant for younger girls, it’s also helpful for late-bloomer music-players like myself. I’ve been known to call Flanger pedals “flangie” pedals and can’t tune by ear. Hopper’s section on pedals and other effects, as well as the section on recording, just to name a couple, were super helpful to me. In this way the book really is a guide, something I want to keep around just in case I forget any of that music jargon all of my buddies are familiar with, or if I decide I want to record on my own.

If you do anything for your little sister, or your cousin, or your niece, or your best friend’s kid this year, buy her this book. It’ll explain all the essentials of whatever music she’s into, give her all the tools she needs to know, and lists a ton of cool music documentaries that could potentially show her what music is really all about. Most importantly it will teach her she can, and will, do it herself! As Hopper says, “This book is all the secrets, and also, your permission slip. Welcome to the gang.”

-- Kate Wadkins

10/22/2009

FEMINISM IS FOR LOVERS


I spotted this today on Bedford Ave. between North 4th & North 5th Streets (in Williamsburg). Whoever's making these totally rules!

[11/07 Note: These folks found me on Flickr, and apparently FEMINISM IS FOR LOVERS is a movement!]

REVIEW: Gender & the Sectional Conflict


And now for something... not so totally different! I began pursuing my Master's degree in Women's History at Sarah Lawrence College in September. I've been writing weekly papers, but recently, I was assigned a book review for my Visions & Revisions in U.S. Women's History class.

Gender & the Sectional Conflict
Nina Silber
The University of North Carolina Press
http://uncpress.unc.edu

Gender & the Sectional Conflict is Nina Silber’s latest work on the Civil War, her sixth book to date and her fourth on gender and the war. Gender & the Sectional Conflict enters the arena of Civil War scholarship taking into account other contemporary historians and their analysis of gender construction during the War while Silber’s own unique insights guide the narrative. The book is a collection of three works, each a lecture that Silber presented in a Civil War series at Penn State in 2006. Beginning with gender and its role in the war, Silber continues to touch on the more specific topic of gender and patriotism during the war, and eventually Union & Confederate women’s post-bellum memorial practices. Silber’s strong points are that she analyzes not only the political and economic climates of the North and South and how these essentially created gender structures, but also how other factors, such as geography, political rhetoric, and class also influenced gender a great deal.

Nina Silber’s discussion on gender, patriotism, and the war is complementary to relevant contemporary Civil War scholarship. Chandra Manning’s study of soldiers’ interpretation of the War in What this Cruel War Was Over as well as Drew Gilpin Faust’s look at white slaveholding southern women in Mothers of Invention are two works in particular that aid Silber’s arguments. To this conversation, Silber adds the situation of white Union women (and to a very minimal extent, African American people). Silber cites both Manning and Faust throughout the book, among other contemporary Civil War historians as well as primary resources consisting of letters and newspapers from that era.

In Gender & the Sectional Conflict, Nina Silber leads with an easy-to-follow narrative. In section one, Silber illustrates southern and northern culture during the war, and draws out the implications of gender in these contexts. Citing Faust, (along with many others) Silber emphasizes the Confederate obsession with the notion of “home” and the Union’s creation of an “imagined community,” an “abstract nation” to fight for - which is a crucial key in understanding the fundamental difference between northern and southern women’s relations to the war. Arguing that the concept of an “abstract nation” removed Northern women from the notion of “home,” Silber proves that Unionist women were then better able to view themselves as autonomous political beings. (14-20) “While Confederate ideology encouraged women to personalize and domesticate the Confederate cause, Union women had to embrace the subordination of domestic ideals to national ones.” (36) Silber illustrates a severe division in culture that contextualizes her arguments on “The Problem of Women’s Patriotism, North and South,” in the second section.

Women’s patriotism was traditionally articulated merely through their men. Nina Silber presents the varying patriotic efforts of northern and southern women as challenging to this notion. (38-40) While considering the previous chapter, it is easy to understand why Union women were better able to begin defining themselves politically through this patriotism. (42, 54) As a relevant closer, Nina Silber extends her look at gender and patriotism in northern and southern culture to the way this plays out in post-war memorial practices.

The lecture approach factors in to Gender & the Sectional Conflict for both good and bad; the text is easier to read, and much clearer than a lot of academic writing, though Silber seems to lose some assertion in her voice within this context. Unfortunately, along with Manning and Faust, Silber is also guilty of a glaring omission: black women. In total, Nina Silber dedicates a mere seven or so pages in total about African Americans out of the book’s ninety-nine. By naming the text Gender & the Sectional Conflict, as well as introducing questions about African-Americans and the Civil War in the preface, Silber misleads the reader. As Silber introduces her ideas about African Americans in the context of gender and the Civil War, she immediately states, “What I offer here are only very initial and tentative starting points.” (xix) This seems like an unfortunate apology for a lack of integration in terms of all different concepts of gender that were present during the war.

Using relevant primary and secondary sources, Nina Silber illustrates the culture of the U.S. circa the Civil War, how this culture created and influenced gender structures, and eventually how women challenged these structures. She contributes unique insight to the situation of Union women, while providing a thoughtful analysis of gender, culture, and the war. Though Silber falls short on thorough race and class analysis, her fresh insight and logical narrative are valuable to contemporary Civil War scholarship.

-- Kate Wadkins

10/18/2009

IT'S THE FREAKIN' CHEEK END, BABY

I just posted the info on the last of CHEEKY. Yes, that means the last blog posts that I make about my beloved band are soon to come. Also, we put up a new track from WHAT THE HECK, called "Two Face Basket Case" on our myspace, so you can check that out too.

:

HEY FRIENDS,

As you may or may not already know, Cheeky is breaking up. We'll be playing THREE LAST SHOWS:

Fri 10/30 (7pm) at THE KICKSTAND in GAINESVILLE, FL @ THE FEST VIII

Fri 11/27 (6:30pm) at PET CEMETERY in NEW BRUNSWICK, NJ with LIGHTEN UP! and NIGHT BIRDS
[ ask around for address, keep it word of mouth ]

Sat 11/28 (7pm) at DEATH BY AUDIO in BROOKLYN, NY with ZOMBIE DOGS, SLINGSHOT DAKOTA, STUPID PARTY & SHELLSHAG
[ this show is a benefit for the Walk for PKD / please respect the space / no outside booze ]

We're putting out an 8-song 12" with Freedom School Records, which should be available in a limited amount at The Fest and definitely available at the last shows. It's also available for preorder now from Freedom School Records, shipping on 11/4. We'll have other merch at the shows - buttons, a live tape, tee-shirts and 7"s. After the 12", we have a split 7" with Tenement coming out on Rally Records. We apologize if you've asked for stuff through mailorder, we've never been good with that.

So as always, thanks so much to our amazing friends, folks who have booked us shows, put out our records, let us borrow their equipment or vehicles, who drove us around, people who helped book our tours that did or didn't happen, y'all who danced and sang and showed us a good time. And don't worry, we're all already in or starting new projects, so we're sure we'll see you around.

We love you, you fucking twinkies.

- CHEEKY

Here's the article on punknews.org: http://www.punknews.org/article/35699

10/14/2009

FREAKY FRIDAY


Dave of If You Make It made a flyer for the Kickstand show. It has all the set times for your convenience!

10/10/2009

CHEEKY: WHAT THE HECK 12"


IT'S FINALLY HAPPENING! "What the Heck" is coming out this Fall, we should have a limited amount of copies at THE FEST VIII. Art and layout by me. Check out the "press release" type thing from Freedom School:

FREEDOM SCHOOL RECORDS is proud to present:

CHEEKY's long awaited WHAT THE HECK 8 song 12" EP (FSR011)
Yes, is finally coming out. And by the way - I've heard it, and it's awesome! Now accepting pre-orders, the 12"s are $10 each plus $3 shipping for up to 3 items.
paypal - thehunchback@hotmail.com

10/07/2009

I HARDLY KNOW HER

I Hardly Know Her is a minimalist Flickr viewer. You can see my flickr pictures here too: